Example 1
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The opening of the “trio” section of the last movement of Clementi’s Op. 7 No. 2, an example of the kind of octaves that Mozart mentions in his letter of 7 June 1783. This is taken from a copy of the Artaria print that Mozart might have seen. Performed by Erin Helyard on square pianoforte, John Broadwood and Son, London, 1796.
- typeAudio
- created on
- file formatmp3
- file size2 MB
- container titleClementi and the Woman at the Piano
- copyright statusIn Copyright
- creatorErin Helyard
- creditPerformed and recorded by Erin Helyard
- isbn9781800856257
- publisherLiverpool University Press
- publisher placeLiverpool, England UK
- restrictionsNone
- rightsCC-BY-NC-ND
- rights holderErin Helyard
- rights territoryWorld
- series number2022:06:00
- series titleOxford University Studies in the Enlightement